If you’ve never loved classical music before, give Ben Zander twenty-one minutes to change your heart. If you’ve loved it already, share this with someone who could use a little healing. Ben conducts the Boston Philharmonic and speaks about his transformative experience with Landmark Education–a beautiful combination. This is Benjamin Zander’s TED talk.
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Text © Gwyn Nichols 2011
Image YouTube screenshot
Listening to Krista Tippetts’ interview with musician Bobby McFerrin, it first surprised me that he ever considered joining a monastic order, and that the main attraction was the silence! He also loved the scheduled cycles of each day, the listening for God. Then it made sense.
He describes himself as a “conveyer of song. I think of myself as a catcher of songs . . . . to grab it, and pull it down, and have it come out of my mouth.” He distinguishes this process from an attitude of performing, which he recommends avoiding, even if you’re “catching song” from a stage.
He’s known for his improvisational freedom, but did you know he practices it? He recommends setting a timer for ten minutes. Then open your mouth and sing, and don’t stop, even when your body screams to stop.
That works for writing, too. Set a timer for a little longer than usual, and keep going even when everything in you screams to stop. You can work up to longer sessions and greater improvisational freedom.
(I watched the unedited version, and I plan to listen to the edited version as well–not to miss the things that will be trimmed for radio length, but for the music they’ll add. There’s another great way to look at revision!)
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Text © Gwyn Nichols 2011. All Rights Reserved.
Something extra today! Here’s a recording from the concert I mentioned March 7.
Yes, it’s a recording, not the live music experience I advocated in that previous post, but it’s still sweet!
Related Post:
I’m just home from a university choir concert, aptly named “Waxing Poetic.” Several well-trained choirs from Arizona State University prepared sacred and humorous works, performed in a sacred space, and sent healing sound waves through my soul like a medicinal hot spring. Two of the pieces made me cry:
We’re so spoiled, listening to recordings of music whenever and wherever we want–and naturally, we need those, too–but we can forget how long it’s been since we were nourished by live acoustic music.
If we want to write musically, there better be some music in our souls.
